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Imported Guitars




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By the mid 's c the headstock logo design changed to a gold "Martin style" decal that said, "Sigma Guitars" in script with "Est. The headstock shape was also modified to a deeper taper and shaped to resemble the Martin instruments. As is traditional with classical instruments, Sigma classical guitars do not have the headstock logo, and one must rely on the inner label for identification. Labels and Brands Sigma's made in Japan from through used a paper label to identify the model and serial number of the instrument.

The model and serial numbers were usually stamped on in ink, but some are known to have been hand-penned. The 'Black and White' label: The earliest examples had a plain black on white inner paper label showing the model and serial numbers. These will show a 4-digit serial number. More about the 8-digit serial numbers later. The 'Purple' label c onward: All other text was printed in black ink, or stamped on in ink by the manufacturer model and serial numbers. The Back Brace Brand: Being a mid-year change, some continued on with the "Purple" label, though with the new serial number designation preceded by an "S" or an "E" This is prefixed by the serial number assigned to the instrument and followed by an ink stamp of the model number.

L-R as seen through the sound imporf Serial number, "Brand," Model number. The serial numbers on these instruments were often preceded by the letters S or E; im;ort. It is currently believed that this transition was complete by Early Korean made guitars show this same brand, only stating Made in Korea guitats place impodt Made in Japan. During later Korean made years c, Sigma transitioned back guitads paper labels and imlort stayed that way until the end of production in Indonesia in Further detailed information is inport here.

Serial Numbers Under the giutars of circumstances, Sigma serial numbers can only provide an indicator of the year when a particular model was built. This may be due to them being built imlort several Japanese factories at the same time with inport coordination or tracking in the numbering system. Other physical indicators or attributes, such as finish, trim, tuners, etc. See below for that explanation. I bought it new in Some early imporh Sigma guitar serial numbers c began with 7X0 suggesting the X build date e.

These were eight digits long, the miport digit always a place-holding 0, while Asiam others by then were still only five digit serial numbers further adding to the confusion. It is widely assumed by owners and Sigma historians alike that this is correct, though C. Martin cannot, or will not confirm this. These serial numbers are documented by C. Martin completed and finished them alongside the regular Martin production line. Bridges and tuners may have been installed, as well final sanding and finishing before strings were installed and a final set-up was done. Since we know these instruments were manufactured from through in these three countries, it is safe to assume that a serial number beginning with 81XXXXXX which I have personally seen were not produced in and that these serial number 'indicators' are not to be trusted.

In '79 the paper labels were discontinued and the inner back brace was "branded. These had an even fancier border. My own first Sigma, a DM, which I purchased new in mid I still have the receipt had this second gen "Martin style" decal logo. It being a smaller, local store, the instrument may have been sitting there for a while before I acquired it. While I cannot be absolutely certain of the year it was manufactured, it was certainly by, or prior to High end models such as the D Anniversary model have the "Second Generation" logo inlaid in the headstock using mother of pearl, as do many of the later Korean produced instruments.

Some guitars made later in Taiwan and Indonesia have a different headstock shape and decal: The shape is more squared off at the top corners, while the decal states, "Sigma Guitars" on top with a miniature version of the "C. Some of these guitars also had the "Est " instead of the C. The issue of whether or not Sigma guitars are solid wood or "plywood" laminate wood has been a source of controversy and confusion for many years now. All known Sigma guitars have laminated sides and back wood. This is no longer in question.

While it was thought at one time that these were somehow 'special' and had solid tops, based on current research and scholarship, an emerging school of thought dismisses this notion. Current documentation taken from the files at Martin indicate these models were produced by the Kasuga Gakki company as overload for the Tokai Gakki company. Further, tests conducted on the 52S models with model numbers below "8" show that they are, in fact, wholly laminate bodies. Most Sigma guitars under the numerical model number 8 are wholly laminate bodies exception is the DM-1ST.

The top wood is another matter entirely. Many had laminated tops.

These guitars are thoroughly inspected and prepared by Guitaes craftsmen at our factory and carry a limited lifetime impoft. Other Sigma instruments included mandolins, banjos, acoustic and electric Bass guitar basses and solidbody and Semi-acoustic guitar hollow body electric guitars. The SDR models also feature "scalloped" bracing ala' Martin's own HD with the addition of herringbone design around the binding. A distinctive herringbone design around the binding adds to the appearance of the SDRH Dreadnought. It also includes scalloped bracing, solid spruce top and rosewood back and sides.

It has been suggested that these Second Generation branded instruments were the precursor, or pilot program for what has now become C. Martin and relaunched Sigma Guitars worldwide.

Martin Aisan sacred solid whatsoever top. Columbia is helpful behind, hackneyed by Fukuoka on the night tip of Tennessee. Copy try this one on for go.

These Mosrite guitars are extremely high quality Asjan they guiitars not cheap nothing Japanese is ever cheap. Well try this one on for guitags I then assembled them in my shop. The Japanese culture has lost a guitarz deal of their national pride. The kids over there and the adults are willing to pay slightly more than double for something that is the exact same product except that it comes with a little sticker Made in USA. I'll bet yuitars conservative Japanese population is going completely crazy over that. The fact Askan the matter is the Japanese love our culture. They have copied it for years and years. Everyone knows the best Fenders are the Japanese Fenders Let Asiaan clarify that statement!!!!

My principal bitch with Ibanez of course was their pricing. The pricing on Ibanez guitars has come way down, I have not seen any loss of quality from to in fact some of the lesser priced models have improved in quality. This fact serves to prove my point, when I complained about them being so overpriced in the past few years. To make matters more confusing, there were a number of Japan-only brands that were Western-sounding, such as Greco and Fernandes. Early Johnson map of Japan overlaid with principal classical guitar making locations.

Trading Company brands could be domestic or export Aria, Takamine, Yamaha. Classical guitar making can occur anywhere in Japan, but is concentrated in three regions on the two main islands. The largest center is in and around Nagoya on Honshu. Tokyo is close behind, followed by Fukuoka on the northern tip of Kyushu. In fact, most were produced in small workshops by relatively small crews of artisans, under the supervision of a master luthier, not unlike in most Spanish workshops. Asturias guitars are produced in a small Fukuoka shop with around 15 people. Tama guitars were made in a little corner of the FujiGen electric guitar factory, itself not a very big facility.

With relatively small workshops making classical guitars, this clearly was not the case. By the early s, classical guitar making began to migrate to other Asian countries for similar reasonswith China now dominant.

Import guitars Asian

Indeed, Hiroshi Yairi, son of the Japanese luthier Sada Yairi, had imporg major influence on the development of the Chinese classical guitar making industry. It is with the vintage Japanese classical guitars that the true values are to be found. Immport Field Guktars to Vintage Japanese Classical Guitars If you are going to consider buying or using a vintage Japanese classical guitar, the best advice is to play it first. But, in a world where international trade via the internet is reality, that may not be possible. Here are a few tips to guide you in your shopping. A C will be better than a C or a C Cs or Cs will be better yet.

Obviously, a guitar with a signed label is more likely to be better supervised and better sounding.


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